Review: Christian Dior Ambre Nuit — 3.5 points

If one wants a gentle amber, this is it. Ambre Nuit (Dior, 2009), despite the name, is perfect for day, night, and just about any season. It is not the rich, dark, classical amber accord à la Shalimar (Guerlain, 1925), Ambre Fétiche (Annick Goutal, 2007), or the slightly gourmand Ambre Sultan (Serge Lutens, 2000). Ambre Nuit, instead, focuses on the transparent warmth of the mix of a classical perfumery accord called amber and throws in a nice measure of rose. A nicely done modern rose-amber by perfumer François Demachy.

ambre nuit

Ambre Nuit opens with the freshness of bergamot and is somewhat aromatic due to the lavender-recalling dihydromyrcenol. From there, it plays on the interesting metallic facet of its rose to complement the amber. It begins with the metallic tonality of pink pepper oil at 0.25%. Then, the tone is extended towards the rather metallic musk fond comprising 11.2% each of Habanolide and ethylene brassylate. This firmly establishes the metallic character of its blooming rose at the centre.

Later, the composition gradually unfurls its sweet amber. There are the vanillic sweetness and balsamic labdanum. The ambery warmth of 5.1% Ambrox is present as a warm ambergris accent, which is in turn extended by the woody-ambery tone of 28% Iso E Super and a touch of cedarwood oil. The ambery warmth feels more like a gentle caress than the enveloping warmth at the fore of Bois d’Argent (Dior, 2004) and Allure Homme Édition Blanche (Chanel, 2008).

Such a well composed composition is thoroughly enjoyable. It presents a well-done oriental accord of rose and amber accented by an ambergris note. Also, the metallic aspect is a quirky twist to the rose. Ambre Nuit is nothing ground-breaking, but I say we always have room for another well-done amber that delights all day long.

Sources: dior.fr, Scent and Chemistry The Molecular World of Odor

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