Sometimes a beautiful composition is simple. It might not have a thousand layers to unfold, but its signature character and quality more than make up for those. Tam Dao (Diptyque, 2003), the eau de toilette, by perfumer Daniel Molière is a case in point. It is focused. It is about dry, sensual woods – and a precious one at that.
Indeed, the terpenic opening is kept to a minimal without much fanfare. Cypress gives the impression of an aromatic resin and woods with a leafy touch. From then on, it is sandalwood galore with as much as 17% of sandalwood oil. Its milky note embraces and calms, yet cedarwood imparts a distinct woody texture. A quirky description I could give is ‘a creamy pencil’.
The monolithic sandalwood character of Tam Dao can be dense and opaque, but the subtle ambery shades and woody dryness of 7.5% Texas cedarwood oil render it tangible and wearable. In fact, once Tam Dao reaches its musky dry down, it wears like a creamy second skin.
That said, those who prefer a trail in their perfumer will likely be disappointed by the intimate nature of Tam Dao. It is the kind of perfume that asks one to lean in and experience. Tam Dao lasts well, but its quiet character means that I often forget about it only to wonder later what that cosy creamy scent is.
Tam Dao is simply all about the beauty of sandalwood.
Source: diptyqueparis.com, Scent and Chemistry The Molecular World of Odors