The idea of sun-warmed frangipanis and beaches is a summer dream, and Curaçao Bay (Jacques Fath, 2015), created by perfumer Cécile Zarokian, is intended to evoke that experience. The eclectic idea of marine notes and white flowers is promising, and I am game for such a twist. The result seems like a novelty at first, but ultimately is unconvincing.
To be fair, one is offered the tropical flower and the sea tang as promised. It opens with bright citrusy notes and green blackcurrant buds that restrain the growing richness of frangipani. Creamy coconut and narcotic ylang ylang dominate the floral accord. Its white floral sweetness is contrasted with an ambery, marine note. Indeed, I can relate to a scene of frangipani trees lining a beach. And, as it develops, it turns muskier and the marine note becomes more pronounced. A touch of bitter almond and tonka bean lends extra warmth to the frangipani. I could simply like its quirky character, a twist of frangipani.
But it goes awry after an hour. The marine tang can be somewhat penetrative, and rather than a bay in the tropics, I start to imagine being stuck in a lift with the intense marine note left behind by someone who has oversprayed himself with Invictus (Paco Rabanne, 2013). Not quite like the advertised sun-warmed beaches. However interesting the idea to convey might be, you are out of luck if the fragrance annoys.
I bore with it till the dry down of vetiver and salty woods a few times, as I really wanted to make sure I can overcome the harsh marine tang and partake in the promised fantasy. Still, I remain unmoved. The opaque musk note in tandem with a persistent ambery note eventually make for a nuisance. The frangipani possesses some nuances, but there are plenty of more complex and luxurious frangipani accords out there that do a better job of evoking a summer paradise. Curious though its sketch may be, the resultant juice is literal, plain, and unmemorable.
Source: Jacques Fath Parfums