The name Vert des Bois (Tom Ford, 2016) implies that this perfume is about green and woody notes. And it is: when I smell Vert des Bois, I think of green chypres from the 1970s. Those raunchy green-woody compositions such as Aliage (Estée Lauder, 1972), Private Collection (Estée Lauder, 1973), and Jean-Louis Scherrer (1979) come to mind. As often is the case for Tom Ford fragrances, they are inspired by perfumery’s classics. But Vert des Bois is far removed from just another all-too-familiar knock-off.
Instead a whiff of Vert des Bois reminds me of the summer trip from Madrid to Seville by train. I smell green olive, sweet thyme, and a sharp resinous fir from the outset. Its aromatic green accord, rounded by a plummy note, conjures the pastoral landscape. A peppery accent brings in the attribute of the mid-day heat in an Iberian summer. And even before the fragrance reveals its woody counterpoint, I can vividly recall the scorched land along route, dotted with venerable olive trees.
And when the dramatic woods do unfurl, they reveal themselves nineteen to the dozen. Leather. Oakmoss. Balsams. All at once. These are inextricably intertwined with a patchouli trail. The dry down some hours into wearing Vert des Bois retains this gripping character, but has become slightly warmer, as sweet tonka bean and musk mellow the rough-hewn woods. The result is nothing short of excitement, from top to bottom.
Whilst it does recall the heavy-hitter chypres from the seventies, Vert des Bois does not feel at all like a mere knock-off of the classics. What sets it apart is the accents. Plum, pepper, thyme, and pine needles make for a twist in the green accord, and when paired with a strong woody accord, one gets an interesting vantage point of a classical green chypre. Having said that, those who enjoy the stark contrast and drama of this genre will relish Vert des Bois and its olive groves and sun-scorched earth.